No. 81

invisiblestories:

[Else, derived from the Old English elles, “other, otherwise, different,” which ultimately traces back to words meaning “in a foreign land.”]

Perhaps no voyage I embark upon will take me more distant than that of sliding my hand along the skin of your back.

Gonna find my baby, gonna hold her tight
gonna grab some afternoon delight.
My motto’s always been; when it’s right, it’s right.
Why wait until the middle of a cold dark night.
When everything’s a little clearer in the light of day.
And you know the night is always gonna be there any way.

Sky rockets in flight. Afternoon delight. Afternoon delight.

Thinkin’ of you’s workin’ up my appetite
looking forward to a little afternoon delight.
Rubbin’ sticks and stones together makes the sparks ingite
and the thought of rubbin’ you is getting so exciting.

Sky rockets in flight. Afternoon delight. Afternoon delight.

Started out this morning feeling so polite
I always though a fish could not be caught who wouldn’t bite
But you’ve got some bait a waitin’ and I think I might try nibbling
a little afternoon delight.

Sky rockets in flight. Afternoon delight. Afternoon delight.

Please be waiting for me baby when I come around.
We could make a lot of lovin’ ‘for the sun goes down.

Sky rockets in flight. Afternoon delight. Afternoon delight.

This could be the lyrics to a bump ‘n’ grind hip hop song and yet:

Delight. Starland Vocal Band ’Afternoon Delight’

Edoardo de Falchi

Edoardo de Falchi

invisiblestories:

Vodák Antonín, Bez názvu, 1961 (via wonderfulambiguity)

invisiblestories:

Vodák Antonín, Bez názvu, 1961 (via wonderfulambiguity)

Love from DBC: the queen’s swans after a night at the ballet. (Taken with instagram)

Love from DBC: the queen’s swans after a night at the ballet. (Taken with instagram)

and because they were [her] fingers, those were the fingers I wanted to watch.
Paul Auster The Book of Illusions
Paul Auster / ‘Dawning’

”’[…] and then, stopping for a moment as Arp lifted his leg, something caught my eye. A glow on the sidewalk, a burst of brightness blinking our from the shadows. It had a bluish tint to it — rich blue, the blue of F.’s eyes. I crouched down to have a better look and saw that it was a stone ,perhaps a jewel of some kind. A moonstone, I thought, or a sapphire, or maybe just a piece of cut glass. Small enough for a ring, or else a pendant that had fallen off a necklace or bracelet, a lost earring. […] So I started to pick it up, but the moment my fingers came into contact with the stone, I discovered that it wasn’t what I’d thought it was. It was soft and broke apart when I touched it, disintegrating into a wet, slithery ooze. The thing I had taken for a stone was a gob of human spit. Someone had walked by, had emptied his mouth onto the sidewalk, and the saliva had gathered into a ball, a smooth, multifaceted sphere of bubbles. With the light shining through it, and with the reflections of the light turning it that lustrous shade of blue, it had looked like a hard and solid object. The moment I realized my mistake my hand shot back as if I had been burned. I felt sickened, overwhelmed by disgust. […] I took out my handkerchief and wiped off my fingers as best I could. When I was finished, I couldn’t bring myself to put the handkerchief back in my pocket. Carrying it at arm’s length, I walked to the end of the street and dropped it into the first garbage can I saw.’

[…He] had already seen that stone, and he knew that it didn’t exist, that the life they were about to build for themselves was founded on an illusion.”

Things which we see are not by themselves what we see… so that if we drop our subject or the subjective from our senses, all qualities, all relations of objects in space and time, nay space and time themselves, would vanish
Kant
towirr:

invisiblestories:

Tree Line

That’s it. I’m starting a Horizon Collage club. Let’s tear this city apart.

towirr:

invisiblestories:

Tree Line

That’s it. I’m starting a Horizon Collage club. Let’s tear this city apart.

Carlos Acosta in ‘Gloria’

Before this, I looked around the mass of flowing people, targeting blonde hair. She became, for a miniscule portion of a second, the young, the old, the middle-aged and both the beautiful and homely. All of which would have made her blush, at the very least. 

Asphodel Meadows as a kind of endlessly-reflecting mirror put my brain in a blender. The movement, costumes and dancing made sense for me like this. And I loved it. Whether or not this was its intention, I don’t know. As far as I’m concerned it’s in my realm and therefore I’ll knead the dough. 

She liked Enigma Variations.

Gloria was tagged under ‘Hable Con Ella’ by Almodóvar. There’s no question about it or else, I can’t help it. It was enhanced by such contortions and falls (among them, the ones that drop “into” the horizon) that erupted with the concept, for me, as powerfully and lushly as a volcano. 
*I let myself get carried away by metaphor, sorry.

Carlos Acosta in ‘Gloria’

Before this, I looked around the mass of flowing people, targeting blonde hair. She became, for a miniscule portion of a second, the young, the old, the middle-aged and both the beautiful and homely. All of which would have made her blush, at the very least. 

Asphodel Meadows as a kind of endlessly-reflecting mirror put my brain in a blender. The movement, costumes and dancing made sense for me like this. And I loved it. Whether or not this was its intention, I don’t know. As far as I’m concerned it’s in my realm and therefore I’ll knead the dough. 

She liked Enigma Variations.

Gloria was tagged under ‘Hable Con Ella’ by Almodóvar. There’s no question about it or else, I can’t help it. It was enhanced by such contortions and falls (among them, the ones that drop “into” the horizon) that erupted with the concept, for me, as powerfully and lushly as a volcano. 

*I let myself get carried away by metaphor, sorry.